Wednesday, August 2, 2023

Consumer Challenge: a year without buying miniatures


On a beautiful winter’s day in February ‘22, my wife and  I walked through the city and, just after Covid and all kinds of lockdowns and cancelled social occasions, philosophized about the value of immaterial things such as simply being able to interact with other people and walk through a city.

Probably inspired by that conversation (and before I knew it) I spoke the ominous words: I won’t buy miniatures for a year!

Dear reader: I know what you are thinking now. Why would he say such a thing? Did he succeed? What did he learn from it? Would he do it again?

Safety nets and pitfalls

I must say that I had a LONG painting queue lying around at the time, so I didn't mind finishing that first and spending more time playing games. This notwithstanding, I nearly walked out of a model shop with a box of figures within half an hour …

But I caught myself in time and got through the first few hours with my honour unscathed!

I really did not buy any figures during that year. However, honesty compels me to say that some miniatures nevertheless did find their way to me. A Kickstarter – ordered before that time – arrived in 2022. I also got some miniatures gifted now and then and one or two swaps also resulted in new figures. In any case, the total collection did not shrink in that year.

Triple focus?

I painted a lot of figures. Almost my entire stock of 28mm Modern and Vietnam, a whole bunch of ancient Necromunda figures and a handful of collateral projects successfully ran into a brush during the year. As well as the Kickstarter which, of course, was also painted.

Buying rulesets was of course allowed and that gave me a few new projects that I could do from my existing stock. 

I also built a lot of terrain, because well, both old and new projects revealed some things lacking in my terrain collection. So now I own a village and three landing boats for Vietnam, a colonial plantation manor for various periods and a medieval Pele Tower I felt I realy REALLY needed.

However, as a consequence of this frantic terrain building the 19th century Japanese and the WW1 collection are still looking at me, dressed in primer color, somewhat reproachfully. Not buying worked out fine, but focus? Not so much….

The art of inventory management

Along the way I noticed that my inner hobbyist became a bit more relaxed because I could ignore all the blingbling passing by in my newsfeeds. After all, I wasn’t going to buy anything anyway. This way, I was not putting pressure on myself with new purchases and ambition to do something with them “soon”.

Instead I realized some long-cherished plans (which I will have to play with at some point, of course). I also had a lot more time to try out new ideas and have become a lot more proficient with airbrush and styrofoam than I used to be. Although the successful completion of a few field projects left me with an acute storage problem….

I also noticed that it's okay to get a new idea and think about it without buying everything right away. You can always do that after that year 😊 The special thing was that I actually didn't feel limited because I didn't buy figures anymore, but felt more freedom to do more with the stuff and plans I already had laying around.

Rinse & repeat?

I don't know if I would do it again. I also don't know if I have to.

I have now ordered some stuff that I have made plans for, but I notice that I let other things pass by more easily. It didn't save me any money though. Instead of buying figures, I just started investing in game rules and tools.

I hook up with other people more easily to play games, which is great fun. I also really enjoyed browsing through my existing collection and doing things with it and I actually still do. Of course you need a collection and some stock to do that. But let’s be honest; if those aren’t there, you don't need a buy stop anyway right?

So all things considered, it brought me some good things. And no, there were no withdrawal symptoms! 😁

 

Thursday, July 27, 2023

Classic Necromunda paintjobs

 

The Caller


Ratskin sniper and The Caller de-ratted

Delaque Gang Leader

Rippers

Ratskin warrior and Shaman

Kal Jerico and Scabs


Spyrer Matriarch and Patriarch


Pit Slaves

Dleaque Heavy and Juve


Pit slave

Pit Slave

Wyrd

Spyrer Jakara

Spyrer Yeld

Goliath gang leader conversion

Goliath Ganger conversion

Beasts 

Goliath gang

Orlock gang

Spyrer Gang

Sunday, July 9, 2023

Bull Gorg

 After months of being too busy to do any blogging the holidays arrived and I had some more free time on my hands. And one of the things I did with that was converting a GW Ogre to Bull Gorg, the Necromunda Underhive Spartacus of the Pit Slaves. 


The one and only picture of Bull Gorg. GW never made a model of him to the best of my knowledge. 

The basis: a GW Ogre and some Mecha parts.

Starting to fill all holes, building the two turbo chain swords up with plasticard and greenstuff

Some details and experimental headcover. Clearly an unfortunate choice. 

More gut....

Even more gut, a beard trim and experimental cybernetic thingies on his belly. Mwah. 

Soldering wire to cable his chainswords. And a powerpack and base debris. 

More details, better cybernetic belly thingies and an open growl instead of his closed mouth. 

And the paintjob. 

I like him. He looks a tad unstable, but once you get to know him better...., well, you are certain he is completely bonkers.  



Sunday, March 26, 2023

Review The Barons' War by Footsore Miniatures

The Barons' War is a 28mm medieval skirmish ruleset for a tabletop wargame by Andy Hobday and is published by Footsore Games. With a few games under my belt I felt ready for a review. 

Rulebook and counters


The game was either followed up by several medieval figures Kickstarters by Footsore Miniatures or caused by them. I missed the exact order of events but in any case this means that the game is accompanied by the Footsore range of very good miniatures for 13th century England. But these miniatures are not my objective; the ruleset is. What about it? 

The Looks

The book is an small (A5) full colour booklet of some 135 pages. It is beautifully illustrated and filled with excellently explanatory diagrams and pictures, a lot of which feature Footsore's beautiful 28mm figures for the game. Due to its small size the font is a bit small as well and the pages are so densely filled with text that my usual ploy to cut off the back and give the book a spiral binding was unfortunately not an option. This leaves me with a small rulebook that will snap shut as soon as you let go of it and needs good light to be legible. Of course that might be my age :)  

The layout shows a comprehensive and logical sequence of chapters in which the game is introduced, shows what is needed and roughly follows the sequence a game turn would take. There are chapters on army structure (your "Retinue"), the Game Round, Movement, Combat, Morale, building your Retinue and so on. 

This logical sequencing is not always mirrored in the contents of the chapters however. For example the rules for Morale are spread out over the chapters Game Round, Combat and Morale, which does not seem a logical choice given the fact there is a Morale chapter where all of them should have been found.  

The book contains extensive lists of troop types and characters, scenarios and tips for scenarios and two lists with all kinds of Abilities with lots of choice to give your units that final touch of individuality. There are two lists because the Abilities come in two flavors: Inherent (fixed to specific troop types) and optional (which can be bought for points). This is not immediately clear so it took me a while to track down some Abilities during play. 

The book also includes a QRS and a scannable/printable page for the counters used in the game. The counters can also be bought separately by the way, printed on mdf.

Fireforge knights


The Rules

The rules offer a mechanism with alternate unit Activation, which offers the unit the choice to perform an Action or use an Action for a reaction. Most Units have only one Action but some elite or commanding units have more. Commanding units may give additional actions to other units. When a unit Activates twice in a turn it becomes Weary and suffers from die roll penalties. 

Actions include Moving, Combat, Defending, Commanding or using an Ability. 

Units come in types (Knights, Spearmen, Archers for example) and classes (Veteran, Regular, Irregular and Green). Type determines their standard and optional equipment and class determines their stats and possible Abilities. 

Of course combat is the gist of any wargame. So how does that pan out? 

The Combat mechanism is pretty complicated and is explained on the QRS by a 11-step flow chart. In itself this is not unexpected in a skirmish system with a high degree of figure individuality. 

In short, after the conditions for entering combat are met the attacker rolls for Charging distance (which may win or lose him an Attack die), makes contact and rolls Attack dice. The Defender has decided to use an Action in Defence or not, rolls Defence dice, adds possible Action modifiers, rolls Shield rolls (a kind of extra Save) for failed Defence rolls and when applicable executes his Defence Action. Both groups then move away from each other while the loser may be Forced back further and may have to make Morale checks. You get the idea why a flow-chart would come in handy...

But there are some surprising contrasts in combat. While the combat mechanism in itself is complex, the rest of combat is extremely simplified. 

For example; when a figure loses its last Health Point it is dead. But losing 1 of several does not cause any effects. The wound is simply lost. There is no "Wounded" condition. 

While Line-of-Sight is a condition for a Charge, units have a field of sight of 360 degrees. So attacking someone from behind or in a flank has no influence whatsoever. 

It was not what I expected from a skirmish game of some granularity, especially since figures and characters can be highly individualized. Such granularity is present in some places but completely absent in others. 

Some aspects of the game seem overly complex. The game uses 8 different counters to indicate that a unit has done or experienced something. But as far as I can see, Broken, Shocked, Weary and Defend are the only ones with any specific effect. The other four could have been simply "Activated" counters. This results in a LOT of counters on the table (although you could play them on the unit card) and a lot of rummaging around for the right counter.  

The how's, why's and consequences of Morale checks (made to benefit from a Command or as a Reaction to something scary) are complex as well. Being spread out over three chapters doesn't make it any easier to grasp but there are also two different Morale consequences, Broken and Shocked, that are caused by different things and have completely different effects. At the same time, Shocked units might become Broken but not the other way around.  

So what is good? 

The game is obviously very carefully and lovingly made and the book and the rules show this. Production value of the book is excellent. 

Although several expansions have already been published the game is very complete in its own right. This is a well laid-out ruleset which includes historical background, complete army lists, scenarios, terrain tips and lots of possibility to flesh out your army with all kinds of individual traits and Abilities. There is even an army list for Robin Hood and his Merry Men as well as stats for several historical figures to feature in your games.  

The rules offer you a relatively quick-playing and classic war game which can yield clear and bloody results but may also give you tense to-and-fro battles. The fact that Commanders actually have a Commanding function in the game definitely is a good thing. 

And if you don't already own a medieval 28mm collection the game is supported by the Footsore range of figures, sculpted by the magnificent Paul Hicks. 

What could be better? 

As rules mechanisms go, this one is a bit of mixed bag. Maneuvering and getting into combat or range is a simple affair, but the actual combat is a very complicated procedure which ultimately produces very simple results: some figures die, a mutual move backwards and a possible Morale result. Which makes it hard to determine what is gained by the complexity when it IS there.  

Some choices are puzzling. For example: why is a Shield roll a separate Save while Armour is included in the figure's stats? Why, in what is after all a relatively complex skirmish game, are there no field-of-vision of rear- or flank attack options so maneuvering would be much more interesting? I would gladly exchange the complicated combat sequence for more challenging maneuvering options. And why not have both? This is a skirmish game afer all. 

Keeping track of all the different actions and their consequences with the numerous counters can be a laborious and cluttery affair.

Rules, especially the Morale rules, are not confined to the Morale chapter but are rather randomly spread out over several chapters, making them not only hard to find but also making it difficult to grasp how they work together. 

Perry trumpeter and Fireforge knight

Conclusion

The Barons' War offers a good and classic medieval skirmish game. It is not innovative or as challenging as it might have been but it is well made and very well supported. There are others like it (like Ospreys Outremer: Faith and Blood) but the Barons' War does its job well.   

 


Thursday, March 23, 2023

Recent paintjobs

 

Some random paintings for various games over the last months. 

Conan the Boardgame

Khitan Acolytes

Deep Ones

Thulsa Doom 

Pirate catapults

Serpent Men

Pirate Archers

Ghouls

Shadows of Brimstone (Derelict Ship) 

Droids

Necronauts

Sentry Guns

Hellboy

Ashley Strode

Krampus

Johann Strauss

Demon

Nimue

Varvara and the Crooked Man

Johann Strauss in Vril suit

Mutated Abe

Pissed-off Liz Sherman

The Black Flame

Nimue's Champion

Ogdru Hem mutant

Crickets

Wendigo

Gruagach

The Last King of England

Ted Howard