Wednesday, August 6, 2014

The War Game by Charles Grant: A review

A while ago I received a venerable copy of “The War Game” by Charles S. Grant as a present. Mine was a good-looking hardback, still accompanied with its dust jacket and printed in 1971 (I was six years old at that time), which likely makes it a first edition. Always something to be enjoyed by us analog bibliophiles, although the magic of first editions will fade from our lives with the advent of the E-book, but that is another story. It also has one of those other fascinating elements of vintage books: a dedication. It was at one time given to “Robert, with love and best wishes from Mummy, Daddy and Sarah”. One wonders if Robert is still among us and whether he is still playing? We will probably never know.


I started the book under a wrong impression, which was that The War Game was a book about wargaming (or war gaming as it was then and perhaps still is correctly spelled). While this is not entirely untrue, it is actually more of a ruleset than a compendium. It can however be read as such when you take mr Grant’s 18th century rules as a metaphor for war gaming in general and a pleasant read it is.

It is a well looking 190-page book with black and white illustrations, many of which feature the author’s prettily painted own 30mm plastic troops. He laments their disappearing from the market but does not disclose their manufacturer, but my best guess is they are Spencer Smith figures which fortunately are available again these days, cast in metal instead of plastic. The tabletop photos especially have a very Classic look about them and not just because they are in black-and-white. Stark wooden surfaces (presumably painted green) carry blocky Styrofoam hills, paper trees and scratch-built cardboard houses, all populated with huge 48-men units marching about. It’s Nostalgia with an Imperial “N”.



The book starts with a preface by Brigadier Peter Young, then a brief history of war gaming by the author himself. It quickly gets to the core of the matter and addresses the author’s rules for playing war games in the “Horse & Musket” period; the 18th up to the middle of the 19th century. All the different elements of the game are dealt with in a clear and systematic manner. Indeed, one might wish to see such accessibility in modern day rulesets! Infantry, cavalry, musketry, Melee and Artillery and its effects are dealt with. Morale is then addressed, as are terrain and buildings.

The rules are clearly from a time when hurry and stress had a lot less impact than nowadays. Players of the 60ies and 70ies took their time and who can blame them! Imagine playing with regiments consisting of 48, single-based, figures a piece! Moving the units around alone must have taken hours. The author also does not eschew little details, like the extra 1-and-a-half inch infantry move when in column! Musketry involves some serious number crunching: numbering your soldiers and your sub-units, counting number of firing sub units, rolling dice for hits, subtracting distance modifier, rolling for casualties, removing said casualties, all this with different modifiers for range, firing troop formation, target formation et cetera. The author then illustrates his rules with a battle, starting with the history, the translation to the tabletop and a narrative of how it played.

The book then gets to grips with the basics of terrain construction, its effects on the game, the use of maps in creating games and special rules like pioneers, river transports and campaigns. It ends with a final game scenario, Bunker Hill 1775, where all the elements from the book are brought together to create a fine battle scenario I really should play one day.

I encountered some surprisingly creative ideas in this ancient tome. Roundshot guns actually had a minimum range in reality (something I have never seen modelled in rule sets these days) as the cannonball was shot at an upward angle to land just in front of the target and then bounce horrendously through them. The author uses a measuring stick showing the parts where the ball is airborne and where it moves low enough above the ground to do damage. For canister he uses a metal-wire soldered Canister Cone, displaying the areas where canister had the most, less and least effect. Similar wire templates are used for grenade effects.

Houses were apparently built by him as a loose outer box, representing the intact building and placed over a slightly smaller ruined version of the same house. Just by lifting off the outer box, you created an instant ruin! Brilliant in its simplicity!

The book ends with the traditional index, but preceded by an endearing summary of manufacturers of figures and equipment of the late 1960ies. 

Mythical names like Les Higgins Miniatures and Hinton Hunt Figures are given, complete with address. 

Last but certainly not least a heart-warming mention is given to Airfix Ltd. (Haldane Place, Garratt Lane, London SW 18) “whose inexpensive plastic war game figures (20mm to 25mm – they do vary) have started the career of many a junior and not a few senior war gamers.” 

Anyone knowing my preference for 20mm plastic figures will understand why THAT brought a smile to my face.

Even though it may not become your ruleset of choice for Horse & Musket, “The War Game” is an enjoyable and valuable addition to any war gamer’s library.

10 comments:

  1. Wonderful review! I treasure my copy. It's a cracking piece of wargaming nostalgia and despite the size of my collection it is right up there amongst my favourites.

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  2. Totally agree! Had mine since the 70's. Great book!

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  3. Thanks for the review, and for the nostalgia trip!

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  4. Thank heavens we've moved beyond those clunky rules!

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  5. Thank heavens we've moved beyond those clunky rules!

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  6. Thanks for the review! I've always wondered!

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  7. I just found your blog and having purchased and read his sons war game rules I decided to look for his fathers hard cover. Funnily enough I found a copy for a reasonable price and just ordered it.

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  8. Nice to see your review. Just for information: the hills are made from chipboard, not styrofoam; the trees are Tri-Ang plastic, not paper; and the buildings are made of balsa wood, not card. And yes, the lovely figures are Spencer Smiths, and they were still acailable in plastic up to the mid-80s until they disappeared for a time, until Peter Johnstone revived them in metal.

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